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Kyrgyzstan Casinos

March 14th, 2008 Leave a comment Go to comments
[ English ]

The actual number of Kyrgyzstan casinos is a fact in some dispute. As data from this state, out in the very remote interior part of Central Asia, tends to be difficult to get, this might not be all that surprising. Whether there are 2 or three accredited gambling dens is the item at issue, maybe not in fact the most earth-shattering article of info that we don’t have.

What will be accurate, as it is of the lion’s share of the ex-Russian nations, and absolutely accurate of those in Asia, is that there will be a lot more not allowed and underground gambling halls. The adjustment to legalized wagering did not energize all the aforestated places to come out of the dark and become legitimate. So, the bickering over the total number of Kyrgyzstan’s gambling halls is a tiny one at most: how many accredited gambling halls is the item we are seeking to reconcile here.

We understand that in Bishkek, the capital city, there is the Casino Las Vegas (a remarkably unique title, don’t you think?), which has both table games and slot machines. We will also find both the Casino Bishkek and the Xanadu Casino. The pair of these contain 26 slot machines and 11 table games, split between roulette, chemin de fer, and poker. Given the remarkable similarity in the square footage and floor plan of these 2 Kyrgyzstan casinos, it might be even more surprising to find that they share an location. This seems most confounding, so we can no doubt conclude that the list of Kyrgyzstan’s gambling dens, at least the authorized ones, is limited to 2 members, one of them having altered their title just a while ago.

The nation, in common with almost all of the ex-USSR, has undergone something of a rapid adjustment to commercialism. The Wild East, you might say, to reference the chaotic conditions of the Wild West an aeon and a half ago.

Kyrgyzstan’s gambling halls are almost certainly worth checking out, therefore, as a piece of anthropological research, to see chips being played as a form of social one-upmanship, the apparent consumption that Thorstein Veblen wrote about in nineteeth century us of a.

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